In September, the 14 artists who exhibited last year in The Expedition and Beyond are returning to Principle Gallery in Alexandria, VA for another Women Painting Women exhibition, and each of us have invited another artist to show with us. In addition, four gallery artists will be joining the show.
Considering that I'm more of an evolutionary than a revolutionary, and more of a humanist than a feminist, you may ask why I'm excited to be part of a show with
revolution and
women in its title. Well, I'm excited because I want to encourage change, and because I believe that the work of male and female artists should be seen and taken equally seriously.
The way I see it, WPW is kind of like Affirmative Action. Affirmative Action is considered necessary by some people as a way of eliminating racism--yet it offends other people because by definition it is racist, and how can we get rid of racism by establishing a racist situation? Affirmative Action is an experiment. Maybe it will work, maybe it won't. The ultimate goal is to get to a point where there is no need for it. I see WPW as similar to Affirmative Action in that it gives women artists venues in which to show work, separated from the work of men, with the ultimate goal being not ghettoization, but inclusion, on equal footing, with male figurative artists. Women Painting Women gives accomplished, professional female painters the chance to show the world what they can do, to increase representation of female artists in galleries and museums. I'm all for a level playing field.
Just to make it clear, I cringe when I see art shows entitled "Five Women Painters," or "Three Women Paint the Figure." To me, the fact that all the painters are women is not enough to make a valid theme for a show. I have a method for testing these titles out: in my head, I change the titles to "Five Man Painters" and "Five Men Paint the Figure" and see if it sounds strange. It does. Mentioning the sex of the artist doesn't add anything to the title, in fact it detracts from it because it distracts from the point that shows like this really should have nothing to do with the sex of the artist.
But
Women Painting Women has a valid, worthwhile, and interesting theme. A few years ago, the WPW blog was born from the question asked by Sadie Valeri, Alia El Bermani, and Diane Feissel: (to paraphrase) "Do women paint women differently than men paint women? Let's find out!"
Three or so years later and several shows later, we have 32 female artists exhibiting their paintings of women at Principle Gallery, and that question can be asked, pondered, and maybe even answered by the people who see the show. I believe that the viewpoints of women painters need to be recognized and valued. Shows like this not only raise the profiles of the artists involved, but also, by doing so, they enlarge our portrayal and understanding of the woman as subject in art.
Here are two of the three paintings I will be showing:
The Grandmothers, oil on linen, 40" x 34"
Year at Sea, oil on linen, 69" x 46"
Women Painting Women (R)evolution opens September 20th, 6:30-9:00 p.m.
The Principle Gallery
208 King Street
Alexandria, VA 22314
703-739-9326 info@principlegallery.com
